Wednesday, 30 October 2013

OUGD503: RESPONSIVE session one.

Part 1: Identify as many things as you can that you want to get out of this module:

Personal:
- A further understanding of my skill se, am I more suited to digital based, or web based?
- Experience of working for an outside client's wants rather than my own. 
- How to work with others; the conditions of working with a client e.g. how many times I should edit my work to suit a client. 
- How to balance working on several briefs.
- how to achieve what the client wants without compromising your own wants for the project as the designer. 
- How to format and submit work to people online. 
- How to plan, develop and complete a project most appropriate to the brief. 

As a group:
- Having to deliver what you promise and do what you say you're going to do.
- Understanding realistic time frames.
- Effective proffessional communication .
- How not to get exploited; How much you should charge, when you should get paid etc. 
- Work on a range of briefs. 
- Identify individual practice. 
- How to analyze a brief. 
- Creative compromise. 
- Exposure. 
- Portfolio development (Collection, identity, voice)
- Get a portfolio that is different to everyone else. (Different tasks)
- Contacts and opportunities. 

Part 2: Why do you think competition briefs are useful?

Personal:
- You can submit work and if it is not overly great or successful its not completely destructive to your career path. The worst that can happen is that your design doesn't get picked.
- If you win a proze/ get selected it impresses future employers as you have beaten other students and designers.
- You develop a portfolio of work with a range of briefs for a client, who semi dictates the design, not just you. 
- I get to pick briefs I want to do and dictate where my practice goes. 
- I have no choice but to stick to the deadlines, trains you up for real world deadlines. 

As a group:
- Improve proffesional design skills. 
- Challenge of a professional brief.
- Shows dedication/commitment to being more than just a student. 
- Develop a clearer working practice.
- Real world bench marking against other students and designers.
- Professional responsibilities, risk of losing clients or a bad reputation.
- Build your confidence.
- Briefs may give you contacts. 
- Proffesional feedback.
- Professional experience/ feedback.
- Never work with family members, you will be exploited.




Task: Find 5 briefs from online design competitions which you would find interesting to complete:

Brief 1:




Fedrigoni

Inspire printers across the UK to work with the wide variety of Fedrigoni papers on offer

Background

The Fedrigoni family has been part of the paper world since 1717, when the San Colombano paper mill was set up in Vallarsa-Rovereto, Italy. Over the years, Fedrigoni have consistently been at the forefront of the paper industry, pioneering the techniques and processes that make paper the beautiful, versatile medium it is.

Fedrigoni has been refining the art and science of making fine-quality special papers, producing striking surfaces, tactile textures and vivid colours - paper that can be pressed, bent, cut and folded into almost any form you can imagine. Fedrigoni papers are ultra-functional and, at the same time, wonderfully expressive.

The Creative Challenge

Since opening the doors of its London Paper Showroom in Hatton Garden in 2008, the team at Fedrigoni have worked hard to increase the brand’s profile amongst the design community creating exciting and engaging marketing tools to promote the paper ranges on offer.
Known for being luxury paper manufacturers with a lot of high-end customers, it’s a challenge for us to eradicate any misconceptions of luxury paper being unaffordable, especially to printers!
The challenge is to create a campaign which will ensure that printers across the UK are aware of the broad range of Fedrigoni papers available, suitable for a range of budgets.
We need to communicate that we offer varied ranges for publishing and packaging, right through to business stationary, envelopes and self-adhesive papers.

Target Audience

Printers have a big influence over paper decisions and can in some instances change their client’s specifications.
We want to crush any misconceptions printers may have about Italian luxury paper. Your idea should clearly communicate that Fedrigoni not only produce high-end papers, but inform them of the diverse range and price offering we provide.
Printers are known for their suits and formal approach, we want you to turn this on its head and create a fun, tongue and cheek way to target them which is memorable and maybe even makes them laugh!
Ultimately we want to raise our profile with printers and make us their favoured supplier.

Creative Requirements

Your idea must use and or showcase paper in a creative way. Your idea should show how you would promote our papers using various channels to reach our target audience.
We’re after a campaign full of originality. You are free to respond and create communication or content in any combination of mediums you wish. We are open to new ideas, as long as you can fully demonstrate how your work will promote our wide variety of Fedrigoni papers.

Additional Information

We ask that students do not send requests to our samples department.

It is not required that students strictly use our paper to illustrate ideas, entries will not be penalised for using other papers. However, if you would like to include some Fedrigoni papers into your work or just get an better feel for the type of papers we offer, email:marketing_coordinator@fedrigoni.co.uk for a standard student sample pack.

Of course if your idea is selected to use as one of our promotions, we will provide the paper required.

Deliverables, Artwork and Additional Information

For guidance on how to submit your work, please adhere to the main deliverables information which can be found here.
Any additional supporting information referenced in the brief can be found in the supporting project pack.
_________________________________________________________________________________


Brief 2:


UK Greetings

Design a range of greetings cards

Background

Imagine seeing your card designs on the shelves of Tesco, Sainsbury’s, Waterstones, Paperchase, Clintons and independent card shops, and on window sills across the country.
UK Greetings are the UK’s market leading direct-to-retailer publisher, and manufacturer of greetings cards.
Based in West Yorkshire, we supply to the major supermarkets, high street specialists and independent retailers in the UK and internationally.
UKG have several established sub-brands, each priding itself on delivering something unique, giving UK Greetings a distinctive edge and sound reputation for diverse and eclectic product. More information on these can be found at ukgreetings.co.uk

The Creative Challenge

The greetings card industry is a very competitive market. We are constantly looking for ways to stand out from the crowd, whether this be through an exciting card format, interesting use of finishes (emboss, foil, glitter, varnish, gems, googly eyes, printed card attachments, bespoke attachments, buttons etc), or simply stunning designs that stand out from the competition.

Target Audience

16-34 year olds.

Considerations

Think about the sending situation. Why would you be sending them a card? What is the occasion? Birthday card to a friend or to a family relation? Something to say good luck, get well? Congratulations? You’re getting married? Simply ‘I love you’ or ‘I miss you’?
Who is the recipient? At what stage in their lives are they? Single, married, with children, off to college/university, passing their driving test, losing someone close to them?
Remember who you are targeting. Who is going to be actually buying the card for the recipient? Although you need to design a card that targets the recipient, it’s the person who is buying the card we need to impress and convince.
Also please note: Women buy far more cards than men.
Is the card design-led or copy-led (could be a quote, just a ‘hello’ or a longer message)?

Mandatories

You must design at least 4 cards. These will include:
  • Front page designs.
  • Designs for the inside of the cards (this may or may not include an insert).
  • A range name and logo to be printed on the back page.
  • Remember to think about the envelope colour or design.
  • Suggested card sizes – 159mm x 159mm, 121mm x 184mm, 137mm x 159mm, 110mm x 210mm but don’t let that restrict you.
  • Add 3mm bleed to all artwork supplied.

Preparation

Take a look at what is out there. Visit Paperchase, Clintons, WH Smith and local card shops. A successful range often does something different to what is already out there.
Do some research into what types of cards are being sent to this target group and why.

Deliverables, Artwork and Additional Information

For guidance on how to submit your work, please adhere to the main deliverables information which can be found here.
Any additional supporting information referenced in the brief can be found in the supporting project pack.

Brief 3:


Organization name
DONA
Description of the organization and its target audience
DONA is a line of products for 18-35 female market, with plans to have following products: Edible Massage Candle, Edible Body Paint, Colored Bath Salts, Edible Massage Oil, Body Dust, Shave Gel, Body Sensation Gel, Shimmer Spray, Body Lotion, Body Butter, Perfume, Lingerie Wash, etc.
Industry
Cosmetics & Beauty
Description
product is Edible Massage Oil, in 3 flavors: Blue Lotus, Acai and Chocolate. designs should range from very basic and clean, to more complex. Few "risqué" and more sexy approach also might be good. please no large images of fruits. the design should be focusing on DONA and Massage glide, and flavors should be secondary, maybe a small circle or line in color ,and name of the flavor.
I have attached a psd file with 3 bottles for you to design on. also have attached 2 possible logos for DONA. feel free to use either one you like.
please design labels on actual bottle, label can be clear ( see through) or solid color or combination of both.
Final chosen design will need to be provided in flat label size ( 5" x5"). Front design is only thing we need, Back text is not needed.

Brief 4:
Organization name
Lafayette rosé wine
Description of the organization and its target audience
We are launching a rosé wine brand. It is to be sold in exclusive nightclubs and restaurants in NYC, Las Vegas etc. It is being marketed as the "Veuve Clicquot" of rosé - an elite, sophisticated, summery wine
The wine itself is made in St Tropez in the south of France
Price point will be $50-70 in a restaurant and approx $35 retail. Magnums will also be available for approx $130
Industry
Food & Drink
Description
We need a wine label for the brand. We also need a design for the foil wrapper covering the cork (not a screw top).
At present, we have a name and an idea of how we want this to look. I have attached an image of something very similar which served as the inspiration (Gilded golf-leaf "Lafayette" in script font on robin's egg blue background). I see the label being very close in feel:
- understated but still very sophisticated and elegant
- draws on pre-existing design cues (art deco in this case - both the font and the gilding)
- beautiful contrast of colors. Bear in mind the color of the wine - blue probably wouldnt work for this rosé. I have attached a photo of the wine - the bottle shape and wine color (pinkish-red with a tinge of gold / brown) will be the same. The label will be totally different (the purpose of this project).
Some concepts / words that will serve as evocative design aids:
- Summer, refreshing, outdoor breeze, outdoor dining, elegant party, drinks at sunset, a sophisticated party (where champagne is over-the-top but white wine isn't special / novel enough)
- this is a wine to be shared with friends. We are targeting a similar market to Dom Perignon, Moet and Veuve Clicquot. The difference is that rosé is more of a summer drink than champagne and we want to capitalize on that attribute
- We have room to move with the name - something like Chateau du Lafayette or laFayette or Maison Lafayette or Cuvee Lafayette are all possible. My preference is for plain Lafayette as I think it is the most elegant, but we are flexible.
Ideally, the successful design will have some sort of distinctive "hook" - Veuve Clicquot has the ubiquitous yellow / orange color, Dom Perignon has the shield, Moet has the black on gold color scheme... Maybe it is a stylized capital L or something like that...
I have attached two pages of fonts to use as inspiration (2 each in jpg and psd)
To repeat - we need the front label, back label (with government warnings etc - we can provide this template) and foil wrapper designed for the bottle featured in the attached photo

Brief 5:
Organization name
On the Road Again
Description of the organization and its target audience
Travel books with focus on food
Target audience - children (ages 4-10)
Industry
Education
Description
We are looking for a design of 2 pages - cover page and an opening country introduction page.
Cover page should reflect the concept of our book - seeing a culture of the country through its food. Think about the concepts: food, the world, travel, different cultures, national costumes, etc. It's important to remember that our target audience are children. The design should be colorful and fun but at the same time not overwhelming.
Page 1 for the Country - it's a collage of drawings of the famous places and things in the US: Statue of Liberty, Hollywood sign, Mount Rushmore, Bald Eagle, Golden Gate Bridge, Grand Canyon, White House, Cowboy Boots, and Seattle Needlepoint. Each drawing within a collage should look like a postcard.

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